“Lurgan town was rocked with sorrow/On that bleak November day/Hushed tones and tears were mingled/When great numbers stopped to pray.” These lines come from ‘The Lurgan Ambush’, a poem by Ita Green [set to music at Irish Folk Songs], paying tribute to IRA volunteers Sean Burns, Eugene Toman, and Gervaise McKerr, who died together on the night of November 11th, 1982, when the car in which the three were travelling was hit by 109 bullets from officers at an RUC check-point.
The ECHR ‘asmissibility’ report gives a full account of the incident and the subsequent investigations into it, including the Stalker enquiry into ‘shoot-to-kill’.
The ‘Lion Rampant’ in the crest of (Glasgow) Rangers FC comes from the Royal Banner Of Scotland (where it has a blue tongue and blue claws) (WP); the national flag of Scotland is the St Andrew’s Saltire, which appears in the centre of the trio at the top of this mural, between the red hand of Northern Ireland and the red lion. The “RFC” crest, including the word “Ready”, appeared on players’ shirts between 1990 and 1995 (WP).
There has been a version of this mural in Edgarstown, Portadown, since (at least) 2002, though previously it gave 1873 as the date of formation – see M04154 from 2008 and X00508 from 2011.
William III is the only member of the (Dutch) House Of Orange to rule the UK, as his marriage to Mary did not produce any offspring, and the crown passed to Mary’s sister Anne after both Mary (1694) and William (1702) had died (WP). Queen Elizabeth II was from the Saxe-Coburg And Gotha ‘house’ (changed during the Great War to “Windsor”) via her great-great-grandfather Prince Albert (of Victoria & Albert) but she symbolises Orangism to Northern Irish Protestants and in the portrait shown here she wears an orange jacket and an orange hat which has a band of orange lilies; the portrait is framed by a Union Flag and two clusters of orange lilies.
The plaque on the right reads “This mural is a tribute to her majesty Queen Elizabeth II. Funded by the loyal people of Portadown. To God be the glory.”
These are the UDA boards on Avenue Road, near Lurgan Park, which proved controversial when they were erected (in 2016), mainly because the second piece (below) “celebrat[es] 30 years of South Belfast/Lurgan 1 company D battalion” UDA and shows Troubles-era shows-of-strength (News Letter) and because it turned out the wall was owned by the Housing Executive (NIWorld).
The piece above describes the creation of the UDU in 1893, as a response to the second Home Rule bill, which was passed by the Commons but rejected in the Lords, and which Edward Saunderson celebrated by saying, “Home Rule is dead. It was dissected in the House of Commons, buried in the House of Lords, and even the Irish people would not trouble to give it a wake”. The UDU is as used an origin-story for the UDA, though often in vague terms, such as the verbiage here which reads “[the UDU] would become the birth stone of the Ulster Defence Association, as we looked to the patriotism of our forefathers to defend our communities”. (For more, see UDU-UFF-UDA. For Saunderson, see Union Is Strength.)
This year (2024), UVF lettering a stone’s throw away, on the other side of the entrance to the park, likewise drew criticism (BelTel | ArmaghI), but it has now been removed.
“Solidarity”, “تكافل” (in Arabic) between (Irish) republican prisoners and Palestinians in Israeli jails. Al Jazeera reports that roughly, 9,500 Palestinians from Gaza and the West Bank are currently being held, and about 3,600 without charge, under “administrative detention”. Springfield Park, west Belfast.
Below: “Support republican political prisoners” in “Maghaberry – Portlaoise – Hydebank”. IRPWA (web) board in Ardoyne Avenue, north Belfast. See also: the same message on Divis Street, west Belfast.
“Stop the war on Gaza! Pray for peace!” There are doves in the upper corners but the central imagery is of a clenched fist and the background shows a republican volunteer (perhaps from the INLA) comforting a Palestinian.
For the mural that this framed image has been added to, see Clós Ard An Lao.
Clós Ard An Lao/Ardilea Close, in the Bone, north Belfast
– “Why do they come here, if they can’t speak our language?” – “We will learn your language! Will you learn to accept us?”
Despite learning the language and opening businesses, immigrants came under attack in early August as part of a wave of anti-immigrant rioting and attacks in a number of UK cities, including Belfast, Bangor, Carrick, Newtownabbey, and Ballyclare. Shops were attacked on Botanic Road and Sandy Row (BBC | RTÉ) and eggs were thrown at a Middle Eastern market on the Falls Road (BBC). In response, anti-racism demonstrators outnumbered an anti-immigration protest five to one (Irish Times | BBC); residents of the middle Falls came out a few days later (Belfast Live).
This anti-racism mural is on Albert Street, Divis, west Belfast. In-progress image (above) from June 23rd; image of completed mural (with additions by kids) below from August 11th
Sugarhouse Entry, running between Waring Street and High Street, and home to the Muddlers’ Club of the United Irishmen, was closed in 1972 as part of the “ring of steel” securing Belfast city centre (DC Tours) and for fifty years served only as a back alley to various businesses between Waring Street and High Street; there was talk in 2022 of reopening it (Irish News) and again in 2023 (BelTel). It has now (August, 2024) been refurbished and reopened (BelTel | UTv includes interview with Sean Napier | Belfast City Council video on youtube).
Peter Strain (web) produced illustrations for a number of entries in 2020 and 2022, including one from 2022 for Sugarhouse Entry. It quotes United Irishman Thomas Russell as saying, “Every time I look at a lump of sugar, I see a drop of African blood”.
The precise source of the quote is unknown (please comment/get in touch if you know it); towards the end of Russell’s 1796 Letter To The People Of Ireland, in which he exhorts Irish people to develop a national spirit and take an interest in politics, he takes as a present-day example refraining from supporting the Crown in the French Revolutionary Wars by serving in the army or by buying taxed goods (such as sugar): “Are the Irish nation aware that this contest involves the question of the slave trade, the one now of the greatest consequence on the face of the earth? Are they willing to employ their treasure and their blood in support of that system, because England has 70 or 7000 millions engaged in it, the only argument that can be adduced in its favour, monstrous as it may appear? Do they know that that horrid traffic spreads its influence over the globe; that it creates and perpetuates barbarism and misery, and prevents the spreading of civilization and religion, in which we profess to believe? Do they know that by it thousands and hundreds of thousands of these miserable Africans are dragged from their innocent families … transported to various places, and there treated with such a system of cruelty, torment, wickedness and infamy, that it is impossible for language adequately to express its horror and guilt, and which would appear rather to be the work of wicked demons than of men. If this trade is wrong, is it right for the Irish nation to endeavour to continue it? And does not every man who contributes to the war contribute to its support?” (archive.org p. 22)
The Power’s whiskey (web) slogan “Old but gold” has here been translated into Irish as “ársa ach ór” and the red diamond from the ‘gold label’ is now agitating for “An Dream Dhearg [web] – #AchtAnoıs #CeartaTeanga” [The Red Group – #BillNow #LanguageRights].
There is also (below) a new tribute to Rónán Mac Aodha Bhuí, similar to the one at An Chultúrlann – for which, see Dorn San Aer.
At Tí Mhadáın/Madden’s Bar in Berry Street, Belfast city centre, replacing the Paddy mural.
Here is a gallery of the street art and wild-style writing painted in the tunnel at the redeveloped York Street Station (BBC), formerly Yorkgate Halt. Get in touch if you can supply any of the missing artists in the list below …
NOYS (ig) KONE (ig) JAM2 (ig) Karl Fenz (ig) SNAK (ig) Kyle McGinley (ig)
Paddy Duffy Collection 