“‘Art serves to establish community. It links us with others and with the things around us in a shared vision and effort’ – Gerhard Richter”. The quote is collected in Richter’s ‘Notes 1962’ (Archive.org registration required), from the beginning of his career, in the year after he escaped from East to West Germany and the two murals he had produced for his diplomas were painted over.
Here is a gallery of pieces from Union Street, painted for 2025’s Hit The North street art festival (Seedhead Arts). From left to right (top to bottom in this entry), the works are by:
FESA (ig) from Munch SNAK (ig) Ona Salvador (web) ADW (ig) Molly Hankinson (web) Kerrie Hanna (web) (below Kent St) Shane Ha (web) Kayde (web) Alana McDowell (ig) Niall OL (ig) NRMN (ig) Keyto (ig) Codo (ig) Leo Boyd (web) Conor McClure (ig) KAYOS (ig) JunkGraff (ig) + Sinead Crumlish (ig) and, on the other side of the street, Sky High (ig)
Kneecap performed their Coachella sets in front of a large screen onto which messages were projected, including denunciation of the Israeli “genocide” of Palestinians “enabled” by the US (Rolling Stone).
Many cancelled gigs followed, as well as a call from Sharon Osbourne that the band’s work visas be revoked (BBC). In response, Kneecap insisted that their speech was not an incitement to violence (BBC).
The band’s visas might also be in jeopardy because the band has parted ways with booking agents IAG, which sponsored the band’s US tour (Hollywood Reporter).
Further, scrutiny of past performances revealed pro-Hamas and -Hizbollah chants, which have now led to an investigation by the UK’s anti-terror police (NME). The band also apologized for a 2023 remark that “the only good Tory [Conservative MP] is a dead Tory” (BBC).
Many artists and bands have come out in support of Kneecap – about 40 put their names to a statement posted to instagram. The band also has the support of the graffitist in the image above: “Free Palestine – silence = complicity. Seas le Kneecap [stand with Kneecap]”.
For Recycle Week 2021 (WRAP), Laura Nelson (ig) and Leo Boyd (web) installed a series of seven pieces (each a combination of sign-writing and paste-up) on the abandoned Fanum House, using CO2-absorbing paint (from Graphenstone) and a potato-based glue for the paste-ups. “A revolution in recycling!”
In this graffiti outside the Royal Victoria Hospital, west Belfast, a person in a white coat faces a tank bearing an Israeli flag. Israel’s renewed bombardment of Gaza on March 18th killed more than 400 people (Independent), including an OB-GYN specialist in Rafah (Al-Jazeera); on the 23rd, an airstrike on Nasser Hospital killed five (Reuters).
Detailed figures of casualties among health-care workers in Gaza can be found at Healthcare Workers Watch.
Since taking office, newly-inaugurated US president Donald Trump has proposed buying Greenland, annexing Canada, and taking over the Panama canal.
His latest geo-political raving was made during a visit by Israeli premier Bibi Netanyahu on February 4th, when he suggested that the US occupy Gaza and turn it into the “riviera of the Middle East”(AP); officials including the new Secretary Of State Marco Rubio talked down the “plan”, which involves forcing Egypt and Jordan to take the two million Gazans (AP), but Trump reiterated the threat on February 12th during a visit from Jordan’s King Abdullah (AP).
World leaders – and residents of Derry’s Bogside – have condemned the proposal (AP). The words “am nuts” are written on the paper puppet of Trump; the poster to the right reads “They kill children like me. [with an image of a child] Stop the war. Free Palestine”.
“I would not wish any companion in the world but you” [The Tempest 3.1]
“So long as men can breathe or eyes can see,/So long lives this, and this gives life to thee” [Sonnet 18]
[Right (image above)]
“Doubt thou the stars are fire/Doubt that the sun doth move/Doubt truth to be a liar/But never doubt I love” [Hamlet Act 2 Scene 2]
“When I saw you/I fell in love./And you smiled/because you knew” [from ArrigoBoito’s libretto to Verdi’s Falstaff. In Italian: “Come ti vidi/M’innamorai./E tu sorridi/Perchè lo sai”]
“See, how she leans her cheek upon her hand/O that I were a glove upon that hand/That I might touch that cheek.” [Romeo & Juliet 2.2]
As part of Tunnel Vision paint-jam that added street art along the sides of the underpass at York Street station, a poem by Niamh McNally (ig) – Line Work – was added to the ceiling.