The Catalan Countries include (in Spain) Catalonia, parts of Valencia, and the Balearic islands, plus Andorra, and (in France) the Roussillon region. In the separatist flag – the “Estelada” – the white star stands for freedom and the blue triangle stands for the sky of humanity (Vexillology), on top of the four red bars of the Senyera (WP).
“Saoırse – Askatasuna!” Lines from Joxean Artze’s poem Txoria Txori appear in three languages – Basque, Irish, and English – in this Clonard mural:
“Hegoak ebaki banizkion neria izango zen. Ez zuen alde egingo bainan, honela. Ez zen gehiago txoria izango … eta nik txoria nuen maite.”
“Dá ngearfaınn a eıteogaí, bheadh sé agam. Ní éalódh sé, ach ní bheadh sé ına éan níos mó … agus thug mé grá don éan sın.”
“If I cut its wings it would be mine, it wouldn’t escape, but that way it wouldn’t be a bird no more … and I loved the bird.”
The bird for Irish prisoners is the lark, which can be seen through the prison bars. The green ribbon above the central image is a symbol of the campaign to release political prisoners as part of any agreement that might come out of the peace process.
For Basque prisoners the bird is the “arrano beltza” [black eagle] which appears at the bottom of the mural.
The symbols on the left and right are the Irish shamrock and the Basque “lauburu” (four heads).
Painted by the Askapena Basque Internationalist Brigade in Cawnpore Street, Clonard, west Belfast, August 1995. To the right are two small murals in support of the ETA (“Independentzia!!”, “ETA” with the snake-and-axe (politics and armed struggle) and “bietan jarrai“, “Jo ta ke!” [push on!] and the IRA (a blazing pistol above a balaclava’d volunteer with pistol, “Freedom awaits”).
“Lark” in Catalan is “alosa” and in Irish “fuıseog”. This appears to be the earliest Catalan mural in the extant collections and it appears from the sponsorship in the lower corner – “Catalan comite [committee] in support of Ireland” – to be an expression of Catalonian solidarity with Ireland, rather than the other way around.
Chief sitting Bull with his back to the flag of the United States, with a lark (for the Irish struggle) and an eagle (for the Native American) and a border of the colours of humankind.
Painted by Mo Chara Kelly with Jan Attridge on the wall of the (then) Ballymurphy Community Centre just off the Whiterock Road, west Belfast.
“Happy birthday, comrade”. ANC leader Nelson Mandela turned 70 on July 18, 1988. He spent the day, like every birthday since 1963, in prison; he would not be released until 1990, after which apartheid would be dismantled and Mandela become the first President of South Africa. “The future belongs to you.” The colours of the ANC join the colours of the Irish Tricolour as a background to Mandela’s portrait. Painted by Mo Chara Kelly, with the help of “Sınn Féın Youth”.
The death by hanging of African National Congress supporter Benjamin Moloise on 18 October, 1985, for the alleged murder of a South African policeman, drew international condemnation and led to widespread rioting in Johannesburg and Port Elizabeth. (ExecutedToday | Jet)
Moloise’s words, “tell the world, freedom is at hand”, originally appeared on the right of this ANC-IRA mural, paired with a phrase from Bobby Sands, “we aim to be free” on the left of the assault rifle and a zulu shield and spear. The quote and signature have been painted out due to paint-bombing. (There was (at least) one other paint-bombing of the mural – see the Peter Moloney Collection.)
The boards above the mural (“erected by Sınn Féın April 1986”) declare west Belfast an “apartheid free zone”/”ceantar saor ó apartheıd”. Note the “A/A” [anti-aparteid] emblem in bottom-left of the left-hand board.
“Beır bua” [seize victory] along the bottom is partly obscured by the skip.
Ascaıll Ard Na bhFeá/Beechmount Avenue, west Belfast
This is a difficult mural to interpret and might be incomplete. It appears to show an indigenous child, whose skin is marked with a Union Flag, feasting on the bloody arm of a human adult whose skull sits behind the child. It is perhaps a reference to the colonial exploits of the British in Kenya or in the Putumayo – please comment/get in touch if you can shed any light on the mural.
The mural is in the bricked-up display-window of a shop between Spinner Street and Leeson Street (on the eastern/Dunville Park side of the Falls Road).