30 Years On

A service was held yesterday in West Kirk Presbyterian to mark the thirtieth anniversary of the bombing of Frizzell’s fish shop on the Shankill Road. As part of the ceremony, wreaths were laid at the new memorial marking the spot on the Shankill where the bomb exploded, killing nine locals — hence the Arabic “9” among the Roman numerals on the clock face — and one of the bombers (ITv footage). The clock shows the date and time that the bomb went off: 1:06 pm on Saturday October 23rd, 1993.

The new ‘clock’ memorial replaces the three plaques seen in Frizzell’s (though the circular plaque might have been incorporated into this new memorial); the board of portraits served as the cover for the memorial in the days prior to unveiling and was placed over the credit union’s ATM.

West Kirk also contains a stone and bench to the victims of the Shankill bombing. Nine trees were also planted in their memory: John Frizzell, Sharon McBride Leanne Murray, Michael Morrison, Evelyn Baird, Michelle Baird, George Williamson, Gillian Williamson, Wilma McKee.

“We remember those who were killed, those who survived and those lives changed forever.”

“‘And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain; for the former things are passed away’ Revelations 21 v4”

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Free Palestine

The “occupied Palestinian territories” include the West Bank (including East or Arab Jerusalem) and the Gaza Strip, which, although governed by Palestinians since 2005, is still considered occupied due to Israel’s blockade and control of Gaza’s borders and seas (UN).

This new mural on Ascaıll Ard Na bhFeá/Beechmount Avenue/RPG Avenue in Belfast is prompted by the current attacks on, and siege of, Gaza by Israel in response to the attacks by Hamas that left more than 1,300 Israelis dead (Jerusalem Post). The mural perhaps uses the same stencil as in Springhill in 2014, reproducing a Carlos Latuff (Xitter) cartoon.

See also three posts from Derry: Free Palestine | Victory To Gaza | Ireland Supports Palestinian Resistance

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Spells Joy

The Vault artists have moved out of the old Belfast Met building in east Belfast (see Do You Own A Giant Building? | The Vault Is Empty | Locked Vault) and set up shop in Marlborough House in the city centre and the Shankill Mission in west Belfast. The group have a new web site: vaultartiststudios.com. The inaugural event at “Marly” took place this weekend, called It’s All Your Vault. There will also be a launch event at the Shankill Mission at some point. In the meantime, here are three from the side of the Shankill Mission, from (bottom) emic (ig), (below) Rob Hilken (ig), and (above) Kerrie Hannah (ig) who takes her inspiration from stained glass windows in Townsend Presbyterian by Wilhelmina Geddes (see On The Other Side).

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Fáılte Go Dtí Rodaí Mhıc Corlaí

A new “fáılte” [“welcome”] mural was painted at the Roddy’s in anticipation of the official opening of the new republican heritage centre/ıonad oıdhreachta poblachtaí (web) which took place on September 28th. Construction of the museum and the adjacent restaurant began in May 2021 with an investment of 1.35 million pounds (Belfast Live). The museum’s exhibits cover republican history from 1798 to the present, and items on display from the Society’s collection include vintage uniforms and artefacts, historic maps and documents, and prison handicrafts.

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From The River To The Sea

Saoradh (web) took over this wall from graffiti artists (see Visual History 11) and painted their largest piece in support of Palestinian rights, compared to e.g. Resistance Is Not Terrorism | Ireland Stands With Palestine, but after nearly five years on the wall it is beginning to peel badly. The now-destroyed placards to the right don’t help either – see Palestinian Solidarity.

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#RememberMyNoah

14 year-old Noah Donohoe went missing on June 21st while cycling in the York Road area en route from his south Belfast home to the Cave Hill. His body was found in a north Belfast storm drain six days later and the postmortem showed death by drowning (Irish News). Many details of his last hours remain unknown, however, including how he came to drown in the drain. His mother, Fiona, started a campaign on August 11th on Facebook and Twitter to press for answers and signatures are being collected for a petition into the PSNI handling of the case.

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Bill Of Shame

“Stand against the legacy legislation – state murder is murder! – bill of shame”

The UK parliament adopted the “Northern Ireland Troubles (Legacy and Reconciliation) Act 2023” on Septetmber 6th and it became law on the 18th, preventing future inquests and civil cases. Twenty challenges have been lodged against the bill and a hearing is due to begin on November 20th with a primary focus on whether or not the bill is compatible with the European Convention On Human Rights (ITv | BBC). In the meantime – prior to the May 1st, 2024 deadline — the Springhill-Westrock inquest continues on Monday (RFJ).

This mural showing Lady Justice gagged but with a raised fist, by Iliana Edwards (ig), is on a wall outside the offices of Relatives For Justice (web).

Update: February 28, 2024: The High Court has ruled against the Act (BBC).

See previously: a call to a rally in September.

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Republican Network For Unity

RNU unveiled a new monument in Milltown as part of their Easter Rising commeration on April 9th, 2023. This photo of it is on a new board on the Falls Road, next to the Rook O’Prey board.

For the stone itself, see An Attitude Of Rebellion. There do not appear to be any images of the new monument on the RNU Fb or tw accounts.

“Republican Network For Unity. Erected by the Belfast Commemoration Committe[e]. Miltown cemetery Easter 2023.”

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Essence And Space

This is the new Sam Rockett mural in the Woodvale, replacing the mural seen in Murdered By Cowards. The old mural just featured Rockett, who died in August, 2000, in the feud between the UVF and lower Shankill UDA. This new mural also features the “ethnic cleansing” of Torrens in 2004.

Torrens sits between Cliftonville, Ardoyne, and the lower Oldpark, and was one of the many historically mixed areas in north Belfast that, with the Troubles, became increasingly segregated and separated from neighbouring areas by “peace” lines. Jarman (1996) provides eye-witness testimony of the dispute in Torrens in 1996 which saw Catholic families leave the area. Its proximity to Ardoyne (and Cliftonville), however, meant that over the next few years the houses were gradually abandoned by Protestants, culminating in 2004 when ten of the remaining Protestant families moved out of the area, alleging persistent intimidation and employing the term term “ethnic cleansing” – a term the poem to the right of the mural uses three times.

The area was eventually redeveloped from 2008-2012, with the Wyndham Street “peace” line coming down and Elmgrove Street being opened to the Oldpark Road.

The line in the poem “the resistance formed a steady band” is unclear – it might refer to loyalists being bussed into Torrens in 1996 (see the testimonies in Jarman); if it refers to B Company it would make a connection to Rockett. As it is, the connection between the two elements of the mural (if any is intended) seems to be that Rockett was from the lower Oldpark, near Torrens.

Sources:
John Darby, Intimidation In Housing, 1974. At CAIN.
Neil Jarman, On The Edge, 1996, which also covers the exodus from nearby Cliftonpark Avenue. At CAIN.
1996 AP footage on youtube
2004: BelTel | BBC | Guardian | Republican News | An Phoblacht

“In the name of Ireland’s cruel game/Oh, land that once sang freedom’s song/Now marred by ethnic cleansing’s wrong.//Echoes of anguish haunt the Protestants of Torrens,/Ethnically cleansed, a sinister goal,/Their weapon honed, to exact a toll.//Families robbed of essence and space,/fuelled by hated, to erase their trace.//Against the darkness, spirits sincere,/Hand in hand across the land,/the resistance formed a steady band.//Ethnic cleansing’s horrors unveiled at last,/Hearts of courage, unbreakable souls,/Truths unfurled, their power untold,/A captured scene of the evil deeds done.”

The in-progress images are from August 17th and 18th. The mural was completed for the anniversary of Rockett’s death on August 23rd. The source for the central image (of furniture being loaded into a lorry) is unknown.

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