This is the second “Living Mural” in Wild Belfast’s (web) “Art For Conservation” project. The first was on the side of a stand at Cliftonville FC, where a Daniela Balmaverde painting was dotted with small structures for house-martins (see Bird In The Hand).
The second, shown here, is above the Little Victoria Street car-park in Bruce Street and again includes bird boxes along with the artwork. The sideways-on image, below, gives the best view of the eight “swift bricks” that will provide nesting space for the birds in the summer, as well as the bird-call speakers (above the “S” of “swift” on the side) that will hopefully attract the swifts. Both swifts and house-martins have ‘red’ (“high concern”) conservation status in Ireland (Bird Watch Ireland pdf).
A long garage wall (40+ metres) in Franklin Street Place (between Franklin St and James St South) has been brightened up by Visual Waste (web) with a variety of painted flowers.
Here are three ‘Four Loko’ hand-painted ads in Belfast, specifically Islandbawn Street, west Belfast (above), Little Donegall Street, city centre (immediately below) by Shane Ha (web) in August, and (final image) Legann Street, Ligoniel, north Belfast.
Four Loko was originally contained caffeine, taurine, and guaraná (as well as being 12% alcohol), and was marketed as an energy drink (or, “blackout in a can” (GrubStreet | Campus Times)). Now, it just has the alcohol and the fruit flavour (Four Loko FAQ | WP page on the 2010 ban).
A mural celebrating the success of the film An Irish Goodbye has been painted in Belfast city centre. The film won both the BAFTA and Oscar for best Short Film in 2023. The quartet depicted at the top in their best gear for the Oscar ceremony in March, 2023, are (above) actors James Martin and Seamus O’Hara, and (below) directors Ross White and Tom Berkeley (BBC); in the bottom left is actor Paddy Jenkins as he appears in the film, as the priest, Father O’Shea (BBC). (IMDb | WP)
By Peaball (web) in Winetavern Street, Belfast city centre.
“Deadly” here means “excellent” or “terrific”, perhaps from the idea of “hitting the (living!) target” (Stack) – it is a piece of southern slang that artist and print-maker Leo Boyd (web) perhaps picked up on his journey from Bristol to Dublin to Belfast (Boyd | Atom) where he is one of the Vault Studios artists (Vault).
Here are four species of bird flying in convoy through Belfast city centre. From left to right we see dunlin, lapwing, godwit (above), and Arctic tern (below). The art was painted by Annatomix (web), with support from Daisy Chain (web), as part of the “Great Expectations” project from the Linen Quarter Business Improvement District (web).
“‘Creativity, like society, thrives when the individual elements fit within a bigger picture’ – Ernest Hemingway”
There’s no record of this statement being written or uttered by Hemingway. Instead, it appears to come from Will Gompertz’s 2015 book Think Like An Artist (wikiquote gives “Creativity, like society, thrives when the individual elements fit within, and add to, a bigger picture.”).
Hope Street, Belfast city centre, on the side of the Ginger Bisto on Great Victoria Street.
Sugarhouse Entry, running between Waring Street and High Street, and home to the Muddlers’ Club of the United Irishmen, was closed in 1972 as part of the “ring of steel” securing Belfast city centre (DC Tours) and for fifty years served only as a back alley to various businesses between Waring Street and High Street; there was talk in 2022 of reopening it (Irish News) and again in 2023 (BelTel). It has now (August, 2024) been refurbished and reopened (BelTel | UTv includes interview with Sean Napier | Belfast City Council video on youtube).
Peter Strain (web) produced illustrations for a number of entries in 2020 and 2022, including one from 2022 for Sugarhouse Entry. It quotes United Irishman Thomas Russell as saying, “Every time I look at a lump of sugar, I see a drop of African blood”.
The precise source of the quote is unknown (please comment/get in touch if you know it); towards the end of Russell’s 1796 Letter To The People Of Ireland, in which he exhorts Irish people to develop a national spirit and take an interest in politics, he takes as a present-day example refraining from supporting the Crown in the French Revolutionary Wars by serving in the army or by buying taxed goods (such as sugar): “Are the Irish nation aware that this contest involves the question of the slave trade, the one now of the greatest consequence on the face of the earth? Are they willing to employ their treasure and their blood in support of that system, because England has 70 or 7000 millions engaged in it, the only argument that can be adduced in its favour, monstrous as it may appear? Do they know that that horrid traffic spreads its influence over the globe; that it creates and perpetuates barbarism and misery, and prevents the spreading of civilization and religion, in which we profess to believe? Do they know that by it thousands and hundreds of thousands of these miserable Africans are dragged from their innocent families … transported to various places, and there treated with such a system of cruelty, torment, wickedness and infamy, that it is impossible for language adequately to express its horror and guilt, and which would appear rather to be the work of wicked demons than of men. If this trade is wrong, is it right for the Irish nation to endeavour to continue it? And does not every man who contributes to the war contribute to its support?” (archive.org p. 22)
The Power’s whiskey (web) slogan “Old but gold” has here been translated into Irish as “ársa ach ór” and the red diamond from the ‘gold label’ is now agitating for “An Dream Dhearg [web] – #AchtAnoıs #CeartaTeanga” [The Red Group – #BillNow #LanguageRights].
There is also (below) a new tribute to Rónán Mac Aodha Bhuí, similar to the one at An Chultúrlann – for which, see Dorn San Aer.
At Tí Mhadáın/Madden’s Bar in Berry Street, Belfast city centre, replacing the Paddy mural.
This piece of street art by Zippy (web) was originally intended for Hit The North 2024 but she didn’t find time to paint it until later, as she was busy organising the event itself. At the time, the green frame was painted but then the gates were covered with yellow stickers – see All This Scratching Is Making Me Itch.
Paddy Duffy Collection 