Justice

This is a gallery of some old and newer pieces at the top of Springhill. Above and immediately below are the pieces painted in 2014 in support of Palestine. (For the tank protester, see David And Goliath. The ‘Four Irelands’ piece was never finished – it was going to show the shrinking Gaeltacht.)

The others (Noah Donohoe and CSP) are from last year (2021). Cumann Spóırt An Phobaıl (Fb | ig) is an all abilities (and all ages – starting at age 5) soccer club based on the Ballymurphy Road in west Belfast. The club was profiled in the Irish News in late 2020. “CSP Abú!”

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Copyright © 2022 Paddy Duffy
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Our Struggle Continues

Óglach Charlie Hughes was O.C. of PIRA D Company (“the dogs”) in west Belfast. He was killed in March 1971 as part of the feud between the OIRA and the Provisionals. PIRA volunteers, including Charlie and cousin Brendan Hughes (“The Dark”), had burned down OIRA drinking den The Burning Embers, across from Charlie’s house on Balkan Street, and were moving on to The Cracked Cup on Leeson Street, but were met with gunfire. Hughes was killed later that night, after a ceasefire had been agreed, by a single shot (WP | a 2002 account by The Dark). The mural replaces the small ‘1921’ tarp (see Do Not Touch).

The other figure shown (on the right) is Palestinian skyjacker Leila Khaled (see also Oppression Breeds Resistance).

Below is James Connolly in a Lasaır Dhearg stencil: “Empires and tyranny perish. We will rise again.”

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Copyright © 2022 Paddy Duffy
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No More Cover-Ups

Left: Lawyers for the PSNI defended the request for a Public Interest Immunity certificate regarding evidence in the case of Noah Donohoe (PA). This stencil on Divis Street says “not in our name” and asserts that “the public want full disclosure”.

Right: This is the third mural (see 2014 The Maze Ablaze and 2018 The Battle Of Long Kesh) on the International Wall on Divis Street about the ‘Battle Of Long Kesh’, when republican prisoners tried to burn down the cages in protest at living conditions in the camp. CR gas had recently been developed by the British MoD at a lab in Porton Down and is alleged to have been “used against Irish POWs”.

Brady & Faul wrote an 80-page report on the conditions at the camp following the event, entitled The Flames Of Long Kesh. “Telegram to International Red Cross: ‘ … Visited Long Kesh today with others … request immediate investigation into use of “CR gas” … sub-human conditions … SOS … come immed[i]ately’ – 20 Oct 1974, Brian Brady & Fr. Denis Faul”.

The photograph which the central part of the mural reproduces is HU 70205 from the Imperial War Museum’s collection.

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Copyright © 2022 Paddy Duffy
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We Bleed That The Nation May Live

Arrayed against the forces of the British Army (which are shown in armoured cars and in sniping positions in the foreground of the mural, along the whole length of the wall) are various symbols of Irish nationalism: Oliver Sheppard‘s 1911 statue of Cú Chulaınn dying; the pikemen of the 1798 Rebellion (featured yesterday: Éırí Amach 1798); the four provinces of Ireland; Érıu the mythological queen of Ireland/Éıre as designed by Richard J King/Rísteard Ó Cíonga; Easter lilies; the emblems of Na Fıanna Éıreann and Cumann Na mBan on either side of a quote from (The Mainspring) Sean MacDiarmada “We bleed that the nation may live; I die that the nation may live. Damn your concessions, England: we want our country”; a phoenix rising from the flames of the burning Dublin GPO (inspired by Norman Teeling’s 1998 painting The GPO Burns In Dublin); the GPO flying an ‘Irish Republic’ flag; portraits of signatories and other rebels — (left) Padraig H. Pearse, Thomas J Clarke, Eamonn Ceannt, Thomas MacDonagh, (right) Countess Markievicz, James Connolly, Sean MacDiarmada, Thomas Plunkett; the declaration of independence, placed over the advertising box of AA Accountants – see the in-progress shot below. For more work-in-progess images, see yesterday’s post, Éırí Amach 1798. At the very bottom is a quote from the mother of Gerard ‘Mo Chara’ Kelly, Harriet Kelly: “We want the freedom of our country and your soldiers out.”

McQuillan Street, west Belfast

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Copyright © 2022 Paddy Duffy
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25 Years Of Resistance

“Falls/Clonard 25 years of resistance”. The mural combines an image of British troops deployed to Belfast in 1969 (similar to this Stan Meagher photo) with Stephen Bradley’s photo of women banging bin-lids on the ground to alert the community to the presence of soldiers, against a background of burnt-out buildings (reminiscent of Bombay Street).

The writing on the lower wall – “25 years – time for peace, time to go. Demilitarise now!” – was produced by a stencil – see the Peter Moloney Collection for in-progress images.

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Copyright © 1994 Paddy Duffy (undated image)
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