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This Is Not The Same As Other Days

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Here are images of street art in the green space off Queen’s Parade, (following on from Sharon Regan’s boards along the street – Nature Is Healing). The works are:

Friz’s (ig) Snow Patrol ‘Wildness’ cover for their “Ward Park 3” festival,
unknown artist “As they reach for the heavens/They forget to be earthly good”.
local artist Carla Hodgson’s (ig) “Rock, Paper, Scissors” octopus,
Codo (ig) x Jimbo Slice (ig),
FGB’s (ig) “Don’t look wack in Bangor”,
HM Constance’s (ig) stag.

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Sea-Born

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Lí Ban became a mermaid – half-human, half-salmon – after a year spent living in an underwater bower, taking shelter from the family’s uncovered spring that overnight formed Lough Neagh. Three hundred years later (circa 558 A.D.) she told an envoy of Saint Comgall’s who was on his way to Rome, that she would come ashore at Larne a year later. She forwent another 300 years of sea life in favour of being baptised and dying immediately. She was baptised by Comgall, the abbot of Bangor, and christened “Muirgen” (sea-born) and was buried in the Lough Derg (Donegal) abbey (O’Grady | WP). Muirgen’s feast-day is January 27th (Sacred Sisters).

Painted by Friz (ig) for the Bangor Seaside Revival Festival, with support from Seedhead Arts (ig).

For a different style of presentation of Lí Ban, see Shaped By Sea And Stone in Larne. The end of the story is similar to the fate of the children of Lear, who spend 900 years as swans before a monk hears their song, puts them (willingly) in chains, but in protecting them from others touches them, which restores them to human form only for (baptism and) death to follow immediately. (See The Children Of Lear.)

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Copyright © 2023 Paddy Duffy
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Bound In Good Style

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The first printing press in Belfast belonged to James Blow and his brother-in-law Patrick Neil in 1694 (DIB | Dublin Penny Journal gives 1696 | Mary Lowry Story Of Belfast gives 1690); a run of 8,000 Bibles is said to have been printed in 1751, one of which is part of the Linen Hall Library’s collection on Early Ulster Printing (RASCAL).

In 1895, Carswell & Sons opened a print-works and book-binders in a warehouse running with frontage in Queen Street and a rear in College Court (the building is now a bingo hall – see Kelly’s Eyes) which is currently being renovated as an office block (Bel Tel) – some of the scaffolding in College Cour can be seen in the later images in We Built This, the street art festival for International Women’s Day, 2023.

To complement those festival pieces, the mouth of College Court has been given a make-over, with work by Peachzz (ig) (above) and lettering by Woskerski (ig) that both draw on the street’s association with printing. If you know who did the “bookbinding” piece, please get in touch.

Previously on either side of College Court there were two pieces by Friz: Fox and Hare.

The bonus image, of a man leaning against the newsagent’s wall, is on the corner with Castle Street.

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Newen

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From the Twitter feed of Colombian street artist Visual AGP (Anderson García Pérez | Flickr), “Newen” means “strength” or “energy” … birds represent the freedom and colors of the Wiphala [the flag of indigenous peoples of the Andes].”

“Graficalia” (in the top right) refers to a street art festival aimed at minimising youth violence in AGP’s home town of Cali, Colombia.

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Copyright © 2023 Paddy Duffy
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