Róısín Dubh

“A Róısín, ná bíodh brón ort fé’r éırigh dhuıt”/Róısín, be not sad about what has happened to you”. The song ‘Róısín Dubh’ [usually translated as ‘Dark Rosaleen’] is a love song to Ireland, in which the infatuated singer recounts the lengths he would go to on her behalf (song (youtube): Muıreann Nıc Amhlaoıbh | Caıtlín Maude | poem/lyrics in English: Mangan | Kinsella at WP).

This new piece in the New Lodge, north Belfast, was painted (presumably) by emic (ig), (presumably) under the same auspices as, and as a thematic complement to, the project we reported on in Communities In Transition. The lack of explicitly nationalist or republican signifiers is perhaps necessary if the piece is to be funded by Communities In Transition, while the cultural reference is perhaps necessary if the art is to survive on what has for the past dozen years been an anti-Agreement wall – see Damn Your Concessions, England and Unbowed, Unbroken. Another emic piece, in Creggan, Derry, has been marked with republican graffiti – see Stand Up And Speak Out. This very skilful piece walks a very fine line very precisely.

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New Lodge Volunteers

Twenty portraits in circular frames have replaced the twenty-one square portraits seen on the ‘Out Of The Ashes Of 1969’ mural in the New Lodge. From left to right, those portrayed are Michael P Neill, Seamus McCusker, Gerard Crossan, Colm Mulgrew, Francis Liggett, Brian Fox, John Kelly, Robert Allsopp, Louis Scullion, Billy Reid, Danny O’Hagan, Michael Kane, Sean McIlvenna, Jim O’Neill, Rosemary Bleakley, Martin McDonagh, James McCann, James Sloan, Dan McCann. Paddy McManus is no longer included, as compared with the earlier portraits.

For the mural without any portraits, at the time of its launch in 2012, see X00857.

See also the New Lodge IRA memorial garden.

New Lodge Road, north Belfast.

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Auld Cobblers

This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath.

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Back On The Streets

This shelf of cassette tapes is a new mural by Blaze FX (web) at Portallo Street on the Woodstock Road, east Belfast, part of the wave of street art being along the avenue (see previously: Down The Woodstock | Up The Cregagh).

Van Morrison (who was with Them before going solo), Gary Moore, David Holmes, and members of Rudi (Spit) and The Defects (Spit), grew up in east Belfast, as did Thin Lizzy’s guitarist Eric Bell. (Comment/Get in touch if you know of any SLF connection to east Belfast.)

The odd tape out here is the Cut La Roc/David Holmes ‘Stars X2’ live recording from Coventry’s ‘Eclipse’ nightclub, which is from 1999 (Old Skool Anthems) while the rest are from the sixties and seventies.

The “Cregagh-Woodstock Traders” (Fb) pencil (on the right) is presumably for re-spooling the tape after you pull it out and fix the tangle.

See also: Morrison, Moore, Holmes and Bell are all included in the Luminaries And Legends mural at Connswater.

For the Belfast punk scene of the late 1970s and early 80s, see also Belfast Has The Reason.

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Meet The New Boss

These UVF posters urge residents of east Belfast who owe money to loan sharks not to sell drugs or find some other way to pay it back, but instead to get in touch with a political representative.

The Sunday World reported that repayments are being withheld after the Shankill UVF ordered the leadership in East Belfast UVF to stand down (in November 2023 – IRN | BBC) and took over the operation. The posters thus come from the old (East Belfast) guard, trying to thwart the new bosses and hoping to resume collection themselves.

SDLP councillor Séamus De Faoıte commented (in the Irish News), “Anyone who has knowledge of criminal activity or exploitation of vulnerable people should report it to the relevant authorities, but people do not need to take any lessons from the UVF when it comes to upholding the law.” (Also: BelTel)

Meanwhile, the endingtheharm.com campaign (part of the Executive/DOJ’s programme designed to tackle “paramilitary activity and organised crime”) continues. See They Control You for a 2019 version.

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The Undertones

Here are images of signage in the courtyard of the Dark Horse (web) in tribute to Derry band The Undertones, whose 1978 single ‘Teenage Kicks’ begins with the line “Teenage dreams, so hard to beat …” . The sign uses the same font as the original writing by TDS under the Bridge End flyover that was put up when John Peel died, in 2004, (see J2426), and restored in 2015 (see Teenage Dreams Never Die). The signatures, from left to right, are of band members Dee O’Neill, Michael Bradley, Billy Doherty, John O’Neill, F[eargal] Sharkey.

The wide shot shows ‘Teenage dreams’ at the very top of the wall, above the cycle telling the story of the Conservative Party leadership contests involving Liz Truss and Rishi Sunak (see Ship Of Fools) (plus Nigel Farage presiding over Sweet Rockall), and on the bottom level, the open windows of Belfast Stripped Bare (the Undertones are referenced in the Snow Patrol panel, third from the right in the top row – see Teenage Dreams for a close-up) plus, on the right, six of the panels from the series The Friend At Hand. All of the painted pieces are by Ciaran Gallagher

See also The Undertones in Derry: The Punk Of The Parish | Creggan Is My Home

Bonus image, last below: Belfast punk band Stiff Little Fingers on the opposite wall in the courtyard.

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Easter Commemoration

This RNU (Fb) board calls for attendees at a gathering in Milltown cemetery to commemorate the Easter Rising of 1916. The signatories to the Proclamation can be seen above and behind the large Óglaıgh Na hÉıreann gravestone on the right.

Glen Road, on the grounds of the old Andersonstown RUC barracks.

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Ireland Says “No”

“… to Genocide Joe”. This mural – a copy of a cartoon by Carlos Latuff – was painted in Divis Street in advance of the visit by Irish politicians to the United States for St Patrick’s Day – for background, see Don’t Look Away and The Fog Of War (which showed the same message on Slıabh Dubh).

In the mural, the leaders of “SF”, “FF”, and “FG” (Sınn Féın, Fıanna Fáıl, Fıne Gael) on their knees offer shamrock to US president Joe Biden, the blood dripping from whose hands spells “Gaza” on the ground.

However, the mural was completely blacked out the week before March 17th (Xitter) and then had to be cleaned, to give the version shown above.

In 2016, a Latuff reproduction in Beechmount, which was critical of Martin McGuinness’s shaking hands with Queen Elizabeth of England, was whitewashed (and was not subsequently restored). See The Butcher’s Apron for ‘before’ and ‘after’ photos.

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Though An Army Besiege Me, My Heart Will Not Fear

In 2000, during the Second Intifada, Palestinian teenager Faris Odeh was photographed by an AP photographer in the act of throwing a stone at an Israeli tank. He was shot and killed a few days later and the image became a symbol of resistance. (A mural of the photograph was painted in Springhill: see David And Goliath.) The iconic image is updated here for Israel’s current invasion of Gaza, showing a young girl with a soft toy standing in front of a tank that is bedecked with the flags of the European Union, France, the USA, the UK, and Germany.

The F-16 jets and rubble and child with teddy-bear are the same as in the We Stand With Palestine mural in Ardoyne.

For the teddy-bears and soft toys, see Boycott Israeli Genocide.

For the Easter Rising mural, see The Undauntable Thought.

South Link, Andersonstown, west Belfast.

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