Heba Zagout (ig) was a Palestinian artist and teacher who painted Palestinian women and scenes from everyday life, including one from 2022 of holiday fireworks over a Bethlehem skyline that includes both churches and mosques. (You can see the original acrylic on the Painting For Palestine facebook page). The painting has now been reproduced as a mural on the International Wall in CNR west Belfast. She and two of her children, Adam and Mahmoud, were killed in October in an Israeli air strike on Gaza. (Middle East Eye | Guardian)
The next mural (to the right) can be seen in Broken Family.
The image above is from February 4th. Below are in-progress shots in reverse-chronological order.
This entry chronicles (in reverse order/from latest to earliest) the painting of one of Saïd Hassan’s (ig) contributions to the Painting For Palestine (Fb) project that is currently transforming the International Wall on Divis Street in west Belfast. The piece appears to be inspired by the mass grave in Khan Younis (in the Gaza Strip) in which more than 100 corpses were buried in November (Al Jazeera video | Reuters gallery).
Hassan’s instagram post of his original artwork cites a few lines from Palestinian author Ghassan Kanafani (WP): “Let’s plant them as our martyrs in the womb of this soil thickened with bleeding … there is always room in the ground for another martyr.”
Siblings Soso and Omar Ashour were brought to a Gaza hospital in the first week of the Israeli attack. Artist Raed Yousef Qatanani (ig) took them as subjects (ig photo | ig video of the pair) for a painting which has in turn been reproduced on the International Wall in west Belfast as part of the Painting For Palestine project (Fb).
Here is a completed mural from the Painting For Palestine project (Fb) on the International Wall, Divis Street, Belfast, showing a man holding an injured child against a backdrop of razed buildings in Gaza. It is now 125 days since Israel began its war on Gaza in response to the Hamas attacks on October 7th and images of parents carrying their dead and injured children, and of the devastation of Gaza’s buildings, are now all too common – here is an Al Jazeera gallery from December.
“‘The day has passed for patching up the capitalist system; it must go. [… We reject the firebrand of capitalist warfare and offer you the olive leaf of brotherhood and justice to and for all.]’ – James Connolly” [in 1910’s Labour, Nationality And Religion, part 6]
Lasaır Dhearg (web) paste-up at the Grosvenor Road entrance to the Royal, to coincide with the general strike of January 18th that included dieticians, physiotherapists, radiographers, midwives, and nurses (BBC).
In January 2024, in response to the prolonged Israeli attack on Gaza, many murals on the “International Wall” on Divis Street were painted out and work began on reproductions of artworks by artists from Palestine and elsewhere in the region. The project was called Painting For Palestine and a Facebook page and GoFundMe page were launched.
According to Bill Rolston (Fb) (who can be seen in the second image, below), there was a plan last Autumn that Palestinian artists would create their own “international wall” and include murals designed by CNR artists. The Hamas attack on October 7 and the subsequent Israeli invasion on Gaza – now ongoing for 108 days – put paid to that project, and instead art by Palestinian painters is being painted in Belfast in support of Palestine. (Here is an NVTv segment on the project.)
The first (left-most) panel will reproduce a mural called ‘The Land Is Ours’ by Mohammed Alhaj, Abdullah Al Najar, Rami Al Safadi, and Abdel Hamid Fares that once stood in a Gaza school; the second, next to the first, is currently blank (see the image above).
The grid and cartoon for a mural from digital artist Saïd Hassan (web):
Another image by digital artist Saïd Hassan, showing soldiers standing over dead children:
Four murals are being painted over what were previously Lenár Linn and Hunger Strikers (1916). The originals for these were designed by Ahmad Shaweesh (ig), Raed Qatanani (ig), ? [please get in touch], and Saïd Hassan (web).
Shaweesh’s piece is a deliberately unfinished image of a group of people, perhaps a family, in distress. Qatanani’s image is a portrait of Soso and Omar Ashour as they sat in a Gaza hospital during the first week of the Israeli invasion.
The original artist of this figure with a phoenix is unknown.
The last of these four murals is by Hassan and shows a woman cooking over an open fire in front of a tent in a refugee camp.
This painting on the shutters of the Falls Road Suicide Awareness & Support Group/Grúpa Feasachta Agus Tacaíochta Ar Fhéınbháıs (web | Fb) is the same as the mural painted in Cavendish Square by Visual Waste (see Reaching Out Is A Strength) and a companion to emic’s Lifeboat From Despair around the corner in Shiels Street.
Here are matching “KAH” (Kill all Huns/Protestants) and “KAT” (Kill all Taigs/Catholics) graffiti from Broadway roundabout – the interface between Iveagh and the Village – that have been plastered over with paper hearts.
The slogan “When injustice becomes law, resistance becomes duty” has been used in loyalist responses to Brexit and the NI Protocol, in Lurgan, Ballyclare, and Moygashel (one | two). It is used here in reference to Israel’s treatment of Palestinians in Gaza and the West Bank. PFLP (in the bottom-left corner) is the Popular Front For The Liberation Of Palestine (WP) (seen previously in The Popular Front | Solidarity With Palestine | Resistance Is Not Terrorism and murals showing Leila Khaled); in the bottom-right is the emblem of the INLA – starry plough, red star of socialism, Tricolour, and fist holding an assault rifle.
Paddy Duffy Collection 