Gateway To West Belfast

Fáılte Feırste Thıar‘s second mural (the first is outside its offices in the middle Falls – see Fáılte Feırste Thıar) reinforces the claim that (republican) west Belfast begins as soon as you cross the motorway, five minutes’ walk from the city centre. Coıste’s tour of republican murals begins at Divis Tower and the new mural already seems to be drawing tourists – see the final image, below. The previous Coıste mural (M04900) has been deleted and incorporated into the mural, promising tourists “a unique walking tour by former political prisoners”.

The mural is a mix of landmarks – the new Raıdıó Fáılte building (which is located just below the mural), Divis tower, St Peter’s, Conway Mill, the “international wall” of murals, the Bobby Sands mural, the Falls library, the new James Connolly centre, Cultúrlann, and Milltown cemetery – cultural images (Irish dancing and Féıle An Phobaıl) – and sporting images (clubs include Immaculata ABC, Gort Na Móna GAC, St Paul’s GAC). A gay pride ‘rainbow’ stripe runs below the Divis Street portion. Before the previous mural was painted (M07533), there was a Gateway To Belfast board at this spot.

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100 Years Of Partition

Here is a gallery of the smaller piece on the building below Divis tower (except for the Welcome mural – see Gateway To West Belfast). From right to left (top to bottom in this post) we see a 32 County Sovereignty Movement mural, with the island of Ireland in green, white, and orange, and (representing prisoners) barbed wire and a candle; “Black lives matter” from People Before Profit; 32CSM tarp opposing “British political policing”; IRPWA board declaring the PSNI/MI5/British Army unwelcome; a 32CSM tarp against joy-riding; a Lasair Dhearg poster marking 100 years of … “pogroms, sectarianism, job discrimination, police brutality, imprisonment, collusion, housing discrimination, Orange supremacy, torture, internment, special powers, state sponsored death squads, language discrimination, gerrymandering, women’s rights denied, colonialism.”

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Community Activist Extraordinaire

John Leathem, chairman of the Divis Tower Falls Residents’ Association, died in his flat on the 19th floor of Divis Tower in August last year (2017), after returning to the Tower four years previously when he was diagnosed with cancer (Irish News | Tele). He was described by Sınn Féın MLA Fra McCann as “a champion for the people of no property” (An Phoblacht). This mural is outside his former office on the first floor.

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Neill And Scullion

These two plaques are on the “gateposts” at the entrance to Alton Street in Carrick Hill. Neill (above) is on the right; Scullion (below) is on the left.

Neill: “Óglach Michael Patrick Neill. On Monday the 24th of October 1977 Michael was shot by undercover soldiers while on IRA active service on Cliftonville Road. Michael died from his wounds, aged 16. At the time of Michael’s death he lived at the Neill family home 26 Stanhope Street, Carrickhill.”

Scullion: “Óglach Louis Scullion. At 1:45 a.m. on the 14th of July 1972 Louis was shot four times by the British Army as he walked to his home in Unity flats. Louis was unarmed and died as a result of his injuries. 5th June 1945 – 14th July 1972. Louis lived at 51H Unity Walk.”

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Unlock Your Lockdown

Domestic abuse reports to PSNI in the second quarter of 2020 (during the first Covid lockdown) increased 4% to 8,302 (BelTel). Women’s Aid NI (web | tw) provides refuge and support to victims of domestic violence. The stencil by Laura Nelson & Leo Boyd from VaultNI is on Carrick Hill. The title of today’s post comes from Women’s Aid CEO Sarah Mason (tw).

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Old Carrick Hill

The collection of images showing “Carrick Hill in the old days” now includes a mural, of two women talking in the street.

In addition to the mural, there are four boards, two on either side: Carrick Hill playground; Regent Street party; Pepper Hill steps, 1894; Carrick Hill 1940s.

There are eleven more boards in Regent Street. (Later increased to fifteen with the addition of 1976 Mandiville dart team; Mary McCusker & Kitty Spotwoods; Maggie Jane Largey & Mary Ann Largey; Richard & Alan Crean – see The Tea Bar for all fifteen.)

The board in the image below (from Stanhope Street) shows Pepper Hill Steps before the turn of the twentieth century. The steps used to lead from Mustard Street (which was what Library Street used to be) towards Upper Library Street (now Carrick Hill, the street).

Stanhope Street, Belfast

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100 Years

On the left of this memorial board in Carrickfergus are five portraits from the later life of the child who began life in Greece as Prince Philip of Greece and Denmark. The family was exiled during the Greco-Turkish War. He ended up in Britain where he later joined the navy and stopped using his titles when he became the British subject, Philip Mountbatten. When he married Elizabeth he became Prince Philip, Duke of Edinburgh. His life-time matches that of the Northern Irish state (see in the second image): he was born a month after its creation and died in 2021 at the age of 99, a month shy of its centenary.

These boards and banners are in Albert Road and Thomas Street, Carrickfergus, near the Orange lodge, (for which see On Foreign Fields). They are perhaps all sponsored by the Ulster Grenadiers flute band. “Carrickfergus says “No” to Irish Sea border”

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Wortley

“Sgt. Thomas George Wortley , “D Coy” 14th Btn. Royal Irish Rifles, Service No. 14/17063, Died Messines 07-06-1917, Spanbroekmolen British Cemetary Grave C10″. Wortley was born in Carrickfergus, lived in Belfast, died on the first day of the battle at Messines (findagrave), buried in a small cemetery of British soldiers, many from the 36th (Ulster) Division, in Spanbroekmolen on the Ypres Salient in Flanders (WP) – shown in the mural – and is remembered in Carrickfergus with a parade each year on the date of his death (carrickfergusrollofhonour).

Maple Gardens, Carrickfergus

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The Lion And The Elk

“This we will always maintain.” The Northern Ireland government’s coat of arms was approved for use in 1924, three years after the government was established. Its “supporters” – the red lion of Scotland and an Irish elk, carrying (respectively) Irish harp and De Burgh flags, and standing on a grassy mound with flax plants – were added later.

This mural celebrating the centenary of Northern Ireland’s creation, in the Woodburn estate, Carrickfergus, accurately shows the Tudor crown on the arms, as was used at the time of creation and prior to the Edwardian crown (WP).

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