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A history of the 36th (Ulster) Division in three panels along Knockwood Crescent in east Belfast:
1914 – Sons Of Ulster Answering The Call – 1915: “Ulster Division – a great military parade will take place at Belfast on Saturday, May 8, 1915. The troops of the Ulster Division numbering 17,000 men will be on parade. Cavalry, infantry, pioneers, engineers, signallers, cyclists corps, Army service corps and Army medical corps. Men and women of Ulster come and see the greatest military display every helf in Ulster, and do honur to your own Division. God save the King.” The original poster can be seen at Wartime Memories. “‘Quit yourselves like men and comply with your country’s demands.’ – Sir Edward Carson.” With a picture of “the inspection of the 36th (Ulster) Division by King George [V] 30th September 1915.
1916 – For God, For King & For Country – 1917: “The Battle of Albert (1st – 13th July) 1916. The leading battalions of the 46th (Ulster) Division) had been ordered out from Thiepval Wood just before 7.30am and laid down near the German trenches … At zero hour the British barrage lifted. Bugles blew the “Advance”. Up sprang the Ulstermen and without forming up in the waves adopted by other divisions, they rushed the German front line …… By a combination of sensible tactics and Ulster dash, the prize that eluded so many, the capture of a long section of the German front line, had been accomplished. During the Battle of the Somme the (Ulster) Division was the only division of X Corps (British Army) to have achieved its objectives on the opening day of the battle. This came at a heavy price, with the division suffering in two days of fighting 5,500 officers and enlisted men killed, wounded or missing. Of nine Victoria Crosses given to British forces in the battle, 4 were awarded to 36th (Ulster) Division soldiers.” With quotes from Wilfrid Spender (see I Would Rather Be An Ulsterman), and the poem We Shall Keep The Faith by Moina Michael. Please get in touch if you can identify the photo of soldiers going off to war at the top.
1918 – Their Name Liverth For Evermore – 1919: “Whether town dweller or country lad, volunteer or regular, officer or other rank, Catholic or Protestant, the sons of Ulster knew a comradeship and a trust in adversity that should be a lesson to us all.” “36th (Ulster) Division 32,186 killed, wounded, missing. The [Ulster] tower is dedicated to the glory of God in grateful memory of the officers, non commussioned officers and men of the 36th (Ulster) Division, and the sons of Ulster in other forces who laid down their lives in the Great War, and of all their comrades in arms who, by divine grace, were spared to testify to their glorious deeds.”



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In Irish mythology, Étaín (Éadaoın, Aideen) of the Ulaıd and her lover Mıdır of the Tuatha Dé Danann turn into swans after Mıdır wins an embrace from her in a board game with her husband Eochaıd, the High King of Ireland (Tochmarc Étaíne/The Wooing Of Étaín).
Street art by JMK (ig) in the Bullit alleyway off Church Lane.

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After Britain’s declaration of war against France in 1793, the United Irishmen – who hoped for French support for a rebellion in Ireland – could no longer meet openly. In Belfast, meetings were held at Dr [Benjamin] Franklin’s tavern, also called “Peggy Barclay’s” after its owner, under the guise of a social group called the Muddlers’ Club.
The true nature of the group was betrayed to the authorities in 1796 by Isabella “Belle” Martin, a serving girl in the tavern (Romanticsm Anthology | Belfast Entries | Belfast Media | Joe Baker). As the text in the Peter Strain mural above concludes, “Half a dozen of them saw the inside of a Scottish prison as a result” and the club dissolved. (The text surrounding Martin’s profile is from Glenn Patterson’s book, A Mill For Grinding Old People Young – this was the name of Peggy Barclay’s inn when she left the city centre for the Buttermilk Loney (now Skegoniell Avenue) on the Shore Road in north Belfast.
The tavern, in Sugarhouse Entry, later become a hotel before eventually being destroyed in the WWII blitz. Sugarhouse Entry still exists but has been impassable since 1972 when it was closed off as part of the “ring of steel” securing Belfast city centre (DC Tours).
There is today a restaurant called The Muddlers’ Club, named after the society, in Warehouse Lane. Two of its murals are shown in The Eye Of Providence; for others see also God Approves Our Undertakings and The Wider Conspiracy in the Seosamh Mac Coılle Collection.
See also the Visual History page on the Belfast Entries.
Crown Entry, Belfast
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A gallery of faces from KVLR (ig) in Exchange Place, perhaps on their way to Belfast’s first maternity hospital, the Humane Female Society For The Relief Of Lying-In Women (Clifton House) which was in the building above these artworks.
“The Entries are passageways for the comings and goings of rich and poor, sugar and coal, horses and handcarts, porter and print, secrets and songs. Openings and entrances over the centuries. A labyrinth of muck-made Belfast brick at the mouth of the Farset.”

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The artist of these purple flowers in Exchange Place is unknown, but they look quite like the (former) wood painted by Hicks on the other side of the doorway.
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In ancient Greek mythology, the Athenian Theseus (though here carrying a Spartan shield) killed the bull (minotaur) of Cretan king Minos, thus ending the practice of sacrificing of Athenian youths as retribution for the earlier death of Minos’s son Androgeos. Glasgow artist Rogue One (Fb | ig) recreated the myth for CNBX/HTN18.
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“The Spirits Of The Two Fountains” from Wee Nuls (web | ig), on one of the shutters below the Norwich Union building in the Fountain area of Belfast, based on the idea that there were two fountains in the street (Belfast Entries says there were three).
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The most famous redshanks in Ireland are the Scottish soldiers of James II who marched on Derry, only to be rebuffed with cries of “No surrender” (December 7th, 1688). The soldier is perhaps (though there is no certainty) named after wading bird; the bird is known for its long red legs (Birdwatch Ireland), while the soldier went into battle bare-legged (Scotsman). The second image shows a shrimp and other items among the redshanks’ prey.
By Birmingham artist Annatomix (tw | web | Fb) in Cole’s Alley for the Belfast Entries Project (Visual History page).
Previously by Annatomix: Golden Hare | Red Squirrel


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X12676 courtesy of Extramural Activity
Work by Irony (ig) in Warehouse Lane, Belfast city centre.
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