Belfast

Fowl Play

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There are lots of different fowl in the Waterworks but the swan is synonymous with the place. Belfasters have been saving up the heels of their loaves and taking them to “feed the swans” at the Waterworks since the reservoir was bought by the Corporation and modified to attact wildfowl in 1956 (Belfast Entries) – it provided an encounter with wild animals and was a free and fun family activity. Disease struck the swans in 1995 (Irish Times) and more than 50 died of avian flu during lockdown (November 2021-January 2022 – Belfast Media | Belfast Live has some upsetting photos) but there are still more than enough for the tradition to persist, though feeding them is now generally discouraged as an unnecessary human intervention.

As a tribute to the iconic bird and its long tradition in north Belfast, Danni Simpson (ig) and Mr Fenz (ig) have painted this larger-than-life swan on the side-wall of a coffee shop next to the upper reservoir.

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Free Palestine

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The “occupied Palestinian territories” include the West Bank (including East or Arab Jerusalem) and the Gaza Strip, which, although governed by Palestinians since 2005, is still considered occupied due to Israel’s blockade and control of Gaza’s borders and seas (UN).

This new mural on Ascaıll Ard Na bhFeá/Beechmount Avenue/RPG Avenue in Belfast is prompted by the current attacks on, and siege of, Gaza by Israel in response to the attacks by Hamas that left more than 1,300 Israelis dead (Jerusalem Post). The mural perhaps uses the same stencil as in Springhill in 2014, reproducing a Carlos Latuff (Xitter) cartoon.

See also three posts from Derry: Free Palestine | Victory To Gaza | Ireland Supports Palestinian Resistance

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Copyright © 2023 Paddy Duffy
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Linenopolis

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A celebration and exploration of Belfast’s most famous textile, the “linen biennale”, runs until October (web). The Linen Hall library also runs a tour of the “linen quarter” on Thursdays.

Visual Waste’s (ig) Great Victoria Street mural includes various linen quarter buildings: the Grand Opera House, the Europa hotel, and Inst., alongside the H&W cranes and the Titanic museum.

Nomad Clan’s mural in east Belfast also went by the same name.

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Floss And Stretch

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The words here are attributed to director Baz Luhrmann, who put the words (spoken by Lee Perry) against music by Rozalla, “Everybody’s Free (To Feel Good)”; the track (youtube) went to number one in the charts in the UK and Ireland in 1999. They are in fact part of a hypothetical commencement address entitled “Wear Sunscreen” written by journalist Mary Schmich. (WP)

India Street, south Belfast, replacing a speech from Chaplin’s The Great Dictator.

Don’t worry about the future,/or worry, but know that worrying/is as effective as trying to solve an/ algebra equation by chewing bubble gum./The real troubles in your life are apt to/be things that never crossed your worried/mind. The kind that blindsides you at/4 p.m. on some idle Tuesday. Do one thing/ every day that scares you./Saying, don’t be reckless with other people’s hearts/[Don’t put up with people who are reckless with yours] … Floss

Don’t waste your time on jealousy./Sometimes you’re ahead,/sometimes you’re behind. The/race is long and in the end,/it’s only with yourself/Remember compliments you/receive, forget the insults. If you/succeed in doing this, tell me how./Keep your old love letters, throw/away your old bank statements … Stretch

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Spells Joy

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The Vault artists have moved out of the old Belfast Met building in east Belfast (see Do You Own A Giant Building? | The Vault Is Empty | Locked Vault) and set up shop in Marlborough House in the city centre and the Shankill Mission in west Belfast. The group have a new web site: vaultartiststudios.com. The inaugural event at “Marly” took place this weekend, called It’s All Your Vault. There will also be a launch event at the Shankill Mission at some point. In the meantime, here are three from the side of the Shankill Mission, from (bottom) emic (ig), (below) Rob Hilken (ig), and (above) Kerrie Hannah (ig) who takes her inspiration from stained glass windows in Townsend Presbyterian by Wilhelmina Geddes (see On The Other Side).

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Who Controls The Aesthetic Of Our City?

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In Japanese mythology, cranes are symbols of longevity because they are reputed to live for a thousand years (KZN). These cranes, however, were painted on September 24th by HM Constance (ig) and Zippy (ig) at the junction of Donegall Pass and Botanic Ave for the Open Botanic festival, and they were still in place on October 1st when the first two photos shown here were taken, but by October 4th the front fencing (on the Botanic Avenue side) had been painted over, taking out the crane on the right.

According to this BelTel article, the fence below the billboard is property of the ad company (JC Decaux) and not the landlord (who had given permission for the art), and so Decaux painted it over, as a neutral surround is part of the ad presentation. As can be seen from the fourth image, below, the painting-over included some of the side fencing, though this was done fairly carefully – it removed the head and wing of the wrap-around crane without touching the other crane.

Artist HMC expressed her disappointment, though noted that “street art is never permanent, it’s meant to be painted over by future artists or graff writers” (ig). Adam Turkington, director of Seedhead Arts, likewise decried the obliteration to the Telegraph, saying, “Who controls the aesthetic of our city? … Are we not allowed to have some beautiful art that’s not trying to sell us things?”

The graffiti was added on the 5th or 6th and was still visible yesterday (8th): “Street art is 4 the people – support your local artists!” We would expect Decaux to paint out the graffiti, in keeping with their policy. And perhaps HMC will restore the red sun and artist’s signature to the side panel. If either happens, this page will be updated.

See previously: the crane as a symbol of peace on the Cupar Way “peace” line: Tsuru.

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