The Vault artists have moved out of the old Belfast Met building in east Belfast (see Do You Own A Giant Building? | The Vault Is Empty | Locked Vault) and set up shop in Marlborough House in the city centre and the Shankill Mission in west Belfast. The group have a new web site: vaultartiststudios.com. The inaugural event at “Marly” took place this weekend, called It’s All Your Vault. There will also be a launch event at the Shankill Mission at some point. In the meantime, here are three from the side of the Shankill Mission, from (bottom) emic (ig), (below) Rob Hilken (ig), and (above) Kerrie Hannah (ig) who takes her inspiration from stained glass windows in Townsend Presbyterian by Wilhelmina Geddes (see On The Other Side).
Here is a complete set of the street art in Meetinghouse Lane, Newtownards, mostly produced during an October 2021 jam, though the Glen Molloy (ig) piece above pre-dates that. The other pieces are by Kerri Hanna (ig), Mr Fenz (ig), Emic (ig), Matthew Knight (ig), Carla Hodgson (ig), Danni Simpson (ig), ?kairos?, Irony (ig), RAZER (Fb) & NOYS (ig), NRMN (Gerry Norman ig), Friz (ig), Annatomix (ig) (the squirrel’s name is Derek), Rob Hilken (ig), FGB (ig), Zippy (ig), Alana McDowell (ig).
In Japanese mythology, cranes are symbols of longevity because they are reputed to live for a thousand years (KZN). These cranes, however, were painted on September 24th by HM Constance (ig) and Zippy (ig) at the junction of Donegall Pass and Botanic Ave for the Open Botanic festival, and they were still in place on October 1st when the first two photos shown here were taken, but by October 4th the front fencing (on the Botanic Avenue side) had been painted over, taking out the crane on the right.
According to this BelTel article, the fence below the billboard is property of the ad company (JC Decaux) and not the landlord (who had given permission for the art), and so Decaux painted it over, as a neutral surround is part of the ad presentation. As can be seen from the fourth image, below, the painting-over included some of the side fencing, though this was done fairly carefully – it removed the head and wing of the wrap-around crane without touching the other crane.
Artist HMC expressed her disappointment, though noted that “street art is never permanent, it’s meant to be painted over by future artists or graff writers” (ig). Adam Turkington, director of Seedhead Arts, likewise decried the obliteration to the Telegraph, saying, “Who controls the aesthetic of our city? … Are we not allowed to have some beautiful art that’s not trying to sell us things?”
The graffiti was added on the 5th or 6th and was still visible yesterday (8th): “Street art is 4 the people – support your local artists!” We would expect Decaux to paint out the graffiti, in keeping with their policy. And perhaps HMC will restore the red sun and artist’s signature to the side panel. If either happens, this page will be updated.
See previously: the crane as a symbol of peace on the Cupar Way “peace” line: Tsuru.
Here is a gallery of the larger pieces of street art in Coleraine, starting, above, with Others by emic (ig) in New Row West. Below is Flora And Fauna by Karl Porter of UV Arts (ig).
Many of these pieces (not including the piece above and Hilken’s Salmon Fishing) are part of the ‘Revitalise’ programme from Causeway Coast & Glens borough council (press release | map). There is a separate entry for some of the very many smaller pieces – see Voyage Of Discovery.
Hope (Hope Macaulay knitware (ig)) by Rob Hilken (ig) in Church St
Nook Of The Ferns (from the Irish “cúil rathain”) by emic (ig) in Queen St
Spacer by Shane Sutton (ig) in Queen St – a reference to Alexander Anderson’s work in 1920 on black holes (WP).
Sara O’Neill [ig] And The Fates Of Destiny by Friz (ig)
Here is a small gallery of Portrush street art. From top to bottom, the pieces are by surfer by Aches (ig), Graeme McDowell by an unknown stencil artist (perhaps for the 2019 Open golf Irish News) on the side of the Springhill Bar, a surfing seagull in Eglinton St by FGB (ig), ‘Get Portrush a skate park’ and ‘Largey’s Lane’ by KVLR (ig) in Mark St Ln.
Here is a small collection of street art from Portstewart. Above, is Dan Leo’s osprey in Strand Road. Below, a boy playing hide-and-seek by an unknown stencil artist; and finally, a number of images of JMK’s ‘A Tribute To Henry’ on The Crescent — “Henry” denotes Henry McCullough, Portstewart native and guitarist for Joe Cocker and Wings, who died in 2016 (WP).
All of the pieces shown here were produced in the summer of 2023 for Coleraine’s ‘Revitalise’ programme, co-ordinated by Michelle McGarvey (ig) for Causeway Coast & Glens borough council with funding by the Department Of Communities. They are on utility boxes and planters all over the town centre.
For some of the large pieces of street art in the town, including many produced for ‘Revitalise’, see Nook Of The Ferns. More information and images can be obtained from Causeway Coast & Glens borough council (press release | map).
The first four are from Marc Holmes’s (ig) Voyage Of Discovery series.
This street art, unfortunately by both a hedge and parked cars, is by Shane O’Driscoll (web) in Church Street, Ballymoney, inspired by the town’s history as a market.
Little Nutbrown Hare and Big Nutbrown Hare use the landscape and the limits of their attributes to express how much they love each other. Parts of Sam McBratney and Anita Jeram’s book are made large for the walls of Haslem’s Lane in McBratney’s home town of Lisburn. The murals were painted by Visual Waste (ig) as part of a new public art trail from Lisburn CC.
“”Guess how much I love you,” asked Little Nutbrown Hare. “I love you as high as I can reach.” “I love you as high as I can hop.” “I love you across the river and over the hills.” “I love you right up to be moon,” said Little Nutbrown Hare. “I love you right up to the moon — AND BACK.””
Paddy Duffy Collection 