Who Controls The Aesthetic Of Our City?

In Japanese mythology, cranes are symbols of longevity because they are reputed to live for a thousand years (KZN). These cranes, however, were painted on September 24th by HM Constance (ig) and Zippy (ig) at the junction of Donegall Pass and Botanic Ave for the Open Botanic festival, and they were still in place on October 1st when the first two photos shown here were taken, but by October 4th the front fencing (on the Botanic Avenue side) had been painted over, taking out the crane on the right.

According to this BelTel article, the fence below the billboard is property of the ad company (JC Decaux) and not the landlord (who had given permission for the art), and so Decaux painted it over, as a neutral surround is part of the ad presentation. As can be seen from the fourth image, below, the painting-over included some of the side fencing, though this was done fairly carefully – it removed the head and wing of the wrap-around crane without touching the other crane.

Artist HMC expressed her disappointment, though noted that “street art is never permanent, it’s meant to be painted over by future artists or graff writers” (ig). Adam Turkington, director of Seedhead Arts, likewise decried the obliteration to the Telegraph, saying, “Who controls the aesthetic of our city? … Are we not allowed to have some beautiful art that’s not trying to sell us things?”

The graffiti was added on the 5th or 6th and was still visible yesterday (8th): “Street art is 4 the people – support your local artists!” We would expect Decaux to paint out the graffiti, in keeping with their policy. And perhaps HMC will restore the red sun and artist’s signature to the side panel. If either happens, this page will be updated.

See previously: the crane as a symbol of peace on the Cupar Way “peace” line: Tsuru.

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Ship Of Fools

Ciaran Gallagher (web) chronicled the various contests for the leadership of the Conservative party involving Liz Truss, Rishi Sunak, and Boris Johnson. The panels originally appeared in Hill Street, outside The Friend At Hand, (e.g. Circling Sharks) but have now been moved to the courtyard of the Dark Horse, replacing the Klondyke Bar. This level of panels ends with Sweet Rockall.

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More Than Machinery

The portrait shows Chaplin dressed in the clothes of the barber but the words are spoken when he is dressed in the clothes of the other character he played in The Great Dictator (1940), Adenoid Hynkel, the Phooey Of Tomainia:

“We have developed speed, but we have shut ourselves in.
Machinery that gives abundance has left us in want.
Our knowledge has made us cynical. Our cleverness, hard and unkind.
We think too much and feel too little.
More than machinery we need humanity. More than cleverness we need kindness and gentleness.”
(youtube)

Painted by Glen Molloy (ig) in Seymour Street, Belfast

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Copyright © 2023 Paddy Duffy
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Age Of Invention

Ed Hicks was in Belfast in early March, 2023, to extend the mural in College St Mews (seen previously in Cool) and to repair part of the mural that had been damaged by a fire in one of the wheelie-bins. As before, this new section combines technical drawings with various creatures and sundry items.

If you know anything about the characters or references, please comment or get in touch. The info plaque in the street (seen in Cool) mentions baker and philanthropist Bernard Hughes, but the central portrait does not seem to be of him.

At the same time, Ed also contributed a piece to the Women’s Work jam in College Court (see We Built This).

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Copyright © 2023 Paddy Duffy
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